Dandelion trees by Vu Cong Dien. Vietnamese artist Vu Cong Dien was born in 1975. He graduated from the University of Fine Arts in Hanoi in 2005. Though his professional career has not been long, his paintings are invariably successful. Perhaps because of the use of color in unusual combinations, or as a new, fresh approach to painting landscapes, with wonderful fluffy crown of strange, though fabulous, dandelion trees.

Chinese Sui-boku-ga Landscapes painting. This landscape is painted in Chinese technique of “lifting black ink” (揭 墨), or “Sui-boku-ga”, when the black ink spreads on the paper with a special impact in the right direction, forming a soft lilt. In this case, the achieved effect can not be obtained by using a brush. The picture can not be copied or forged, because this is a unique pattern image. This technique was recognized in 1997 and the invention was patented. The paintings hidden under a network nickname “elf-archer”.

Pintura china Sui-boku-ga paisajes. Este paisaje está pintado en técnica china de "levantamiento de tinta negro" (揭 墨), o "Sui-boku-ga", cuando la tinta negra se extiende sobre el papel con una especial incidencia en la dirección correcta, formando una cadencia suave. En este caso, el efecto conseguido no se puede obtener mediante el uso de un cepillo. La imagen no puede ser copiada o falsificada, ya que esta imagen es un patrón único. Esta técnica fue reconocida en 1997 y la invención fue patentada. Las pinturas están ocultas bajo un apodo de la web "elf-arquero".

Wang Yu Yuan（汪钰元 Chinese, b.1943）

Bada Shanren (Zhu Da: 八大山人, ca.1626-1705)

Tian Xutong. China

chinese illustrator 忘川山人.

寒江月夜图 by Chinese artist 陶冷月Tao Lengyue.

Xue Liang (Chinese, b. 1956), Spring Tide, 2014. Ink and colour on paper, 49.5 x 49.5 cm.

Lu Ji 梅 茶 雉 雀 图 说明: 图 右 款 署 「四 明吕 纪」.这幅画画的是雪景，让人觉得寒意茫茫。在坡石上，白梅老干交错而上，两隻雉鸡休息并盘据在石头上，一隻正一隻反，侧首相互呼应，样貌生动，树根处，微微露出兰、竹、草，

梅 茶 雉 雀 图

Explanation:

At right section of the Department of "four Minglv discipline."

Painted the snow, people feel the chill and fog. On the slope stone, plum Laogan staggered on, two pheasant rest and disk data on the stone, a positive one anti, Ceshou echoed, vivid appearance, at the roots, slightly exposed orchid, bamboo, grass Teng, safflower intermingled on Prunus tangle which are infrequent. Number of sparrows perched together in Prunus top, red camellia embellished distant snow-covered, fine water meandering Shanhe in more lonely.

Lu Ji ﹝ about 1439 ~ 1505 ﹞, specializes in painting flowers, he usually phoenix, peacock, crane, duck theme, then home to the rich colors of trees and flowers, the picture brighter. He told King Sho side are the Ming Dynasty academy ancient bird represented in the Pro. Handed down the works are "Guiju mountain birds map". Cliff bird and flower description: "cliff bird map" Mining Right real composition left empty, so the whole picture,,,,

　　"Birds and Flowers cliff" Picking the right real composition left empty, so that the entire picture generate lofty and profound sense of space. In the upper right corner of the cliff only to portray ax cracked rock hard, and spatial arrangement of the cliff; contrast cliff, is a small piece of a gentle slope on the left side, about two and a small , one high and one low correspondence, the river and there will be some twists and turns deep space, as if the river extending to endless distance. Solidago osmanthus oblique projecting cliff above the rest stop with three starlings birds, two black and one white, as if enlivened tweet. Down the cliff, there are two kite mandarin duck, one after the other, the former quiet back in the water, which is called the stone shore gung, the two have several flower white duck in the middle, the group dynamic line above Osmanthus branch It happens to constitute two parallel lines, dividing the space into three segments. In birds and waterfowl on the following were also echoed the same, but the middle is disposed between both the care of a bunch of white chrysanthemums and two strains of white hibiscus flower, height and movement.

　　《崖下花鸟图》採右实左虚的构图，使整幅画產生高远与深远的空间感。崖壁只在右上侧一角，以斧劈皴刻画山岩的坚硬，并佈置崖下的空间；相对於此崖壁的，是左侧一小块平缓的土坡，左右两者一大一小、一高一低的对应，河面与空间便有了曲折的深度，彷彿河面延伸至无尽的远方。崖壁上斜伸出一枝桂花，上面停憩着叁隻八哥鸟，两黑一白，好像在跃动鸣叫着。而崖壁下则有两隻鳶鸯，一前一后，前者在水面安静回首，后者在石岸边呱叫，两隻鸳鸯中间有几朵白花，这一组动线与上面的桂花枝恰巧构成两条平行线，将空间分割成叁段。在上的飞鸟与下面的水禽也一样作了呼应，而中间则安置一丛白菊花和两株白芙蓉花，高矮与动静之间都有所照应。

"Xiaoxiang wonders map" is one meter Tomohito landscape of representative works. Open-book is a thick cloud rolled, cloud gradually reveals the contours of the mountains, with the cloud volume fluctuations, when the mountain is now hidden, very dynamic, and finally to the riverside jungle as the end of the room.

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